Watch Secret Sunshine Movie 2010 Review Online

Kang Ho also turns in a good performance, and whilst there is certainly a bit of his usual bumbling idiot shtick to his role, he is by no means a simple guardian angel, having questionable motivations and showing several flashes of frightening rage. His character also undergoes an interesting journey, and has a very different experience with Christianity to that of Shin Ae.

“Secret Sunshine” is a film about religion rather than a religious one as such, with Lee depicting Christianity from the perspective of an outsider. Firstly treated as an alien annoyance, with people clapping, singing and howling at the sky, the religion is tackled in brave, open fashion, asking difficult questions, beginning with the old chestnut as to why God allows terrible things to happen. Even more searching issues are explored as the film progresses, as Shin Ae’s Christian rebirth essentially sees her using the religion as a crutch. This period of the film is particularly challenging, as her conversion whilst perhaps understandable given the circumstances distances her from the viewer and comes as a shock. The matter comes to a head as she struggles with living as well as speaking the religious ideal, in particular in her attempts to forgive the murderer, and Lee uses this to meditate upon the darker and even hypocritical side of Christianity, dealing with the moral superiority which many seem to use to take refuge in and the feelings of jealousy and even enmity which it can result in. Again, he offers no judgement upon the religion, simply showing that faith can mean different things to different people, leaving the viewer to draw their own conclusions as to what lies behind the smiles and within the hearts of the characters, something which again underlines how the film is seen through the eyes of Shin Ae herself.

As a result, “Secret Sunshine” is arguably one of the most honest films about Christianity, and one which challenges the religion without either offending or pulling punches. On top of such intellectual ponderings, it offers superbly acted, tense, quietly gripping character driven drama which draws the viewer in and refuses to let go. Possibly Lee’s best effort to date, a fact which itself speaks volumes for its quality, the film is simply one of the best from Korean in recent years.

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