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In portraying a lawyer who used his “neurological condition” to distract and sway jurors, Michael J. Fox employed the truth of his Parkinson’s illness in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning created distracting movements and noises in the courtroom, hijacking interest far from Julianna Margulies’ Alicia and her authorized group.
It was a clever thought and performance, and typical of the way The Good Wife constantly merges fiction with true existence. The central case concerned a lady who’d dedicated suicide – Alicia’s agency hoped to score an eight-figure settlement from a drug organization that produced anti-depressants that, the firm stated, spurred suicidal habits in this episode titled “Poisoned Tablet.”
In portraying a lawyer who employed his “neurological condition” to distract and sway jurors, Michael J. Fox used the fact of his Parkinson’s disorder in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning created distracting movements and noises in the courtroom, hijacking interest faraway from Julianna Margulies’ Alicia and her authorized group.
It absolutely was a clever notion and efficiency, and typical of the way The Good Wife consistently merges fiction with genuine lifestyle. The central situation concerned a lady who’d committed suicide – Alicia’s agency hoped to attain an eight-figure settlement from a drug organization that produced anti-depressants that, the firm claimed, spurred suicidal habits in this episode titled “Poisoned Pill.”
The hour also carried two sub-plots. The political job of Peter Florrick’s new opponent, Anika Noni Rose’s Wendy Scott-Carr was placed in jeopardy when information unfold of the $19,000 breast augmentation operation. This was meant to be damaging to Scott-Carr’s rep as a champion of the down-trodden, which seemed a little of a extend to me, but, hey, crazier issues have happened in real-life politics, I suppose. What truly appeared like a extend was that no one spreading the rumor learned Scott-Carr’s redeeming twist: that she’d been diagnosed with stage-two breast cancer and acquired a double mastectomy. Which she revealed in an interview on CBS’ The Early Indicate. (CBS’ The Good Wife by no means misses a trick.) This wasn’t even the story line’s most clever touch: The Good Wife found a way for Rose, a competent vocalist, to sing. The National Anthem, no less, with Alan Cumming’s Eli sighing, “Of course she has perfect pitch.”
For fans, though the critical sub-plot was Kalinda’s special relationship with a public defender played by Lili Taylor. Taylor’s Donna and Kalinda acquired a history – Kalinda experienced damaged Donna’s heart by kissing and disappearing, in an energy to guard what Donna known as “your secrets.” Scott Porter’s Blake tried to blow Kalinda’s cover, even as Kalinda, working with Matt Czuchry’s Cary, dug up some dust on Blake that will doubtless play out in future episodes.
The Good Wife even managed to create Alicia snatch defeat from the jaws of victory, as Fox’s Canning explained in the last seconds of the display. After again, we acquired experienced much more plot and character development in an hour than NCIS, Castle, and Law & Order: SVU can muster for an entire season combined.
What did you think of this week’s Good Wife, and Michael J. Fox’s efficiency?
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