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In portraying a lawyer who utilised his “neurological condition” to distract and sway jurors, Michael J. Fox employed the truth of his Parkinson’s condition in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning produced distracting strikes and noises in the courtroom, hijacking interest far from Julianna Margulies’ Alicia and her authorized group.
It had been a clever thought and efficiency, and standard of the way The Good Wife continually merges fiction with genuine life. The central situation involved a woman who’d committed suicide – Alicia’s organization hoped to score an eight-figure settlement from a drug organization that manufactured anti-depressants that, the organization claimed, spurred suicidal behavior in this episode titled “Poisoned Pill.”
In portraying a lawyer who employed his “neurological condition” to distract and sway jurors, Michael J. Fox applied the truth of his Parkinson’s condition in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning created distracting movements and noises in the courtroom, hijacking consideration away from Julianna Margulies’ Alicia and her legal group.
It had been a clever idea and performance, and standard of the way The Good Wife constantly merges fiction with true lifestyle. The central situation concerned a lady who’d dedicated suicide – Alicia’s agency hoped to attain an eight-figure settlement from a drug company that constructed anti-depressants that, the agency stated, spurred suicidal behavior in this episode titled “Poisoned Pill.”
The hour also carried two sub-plots. The political profession of Peter Florrick’s new opponent, Anika Noni Rose’s Wendy Scott-Carr was positioned in jeopardy when news unfold of a $19,000 breast augmentation operation. This was supposed to be damaging to Scott-Carr’s rep as a champion of the down-trodden, which seemed somewhat of a extend to me, but, hey, crazier items have took place in real-life politics, I suppose. What seriously seemed like a stretch was that no one spreading the rumor discovered Scott-Carr’s redeeming twist: that she’d been diagnosed with stage-two breast cancer and experienced a double mastectomy. Which she revealed in an interview on CBS’ The Early Display. (CBS’ The Good Wife never misses a trick.) This wasn’t even the story line’s most clever contact: The Good Wife discovered a way for Rose, a experienced vocalist, to sing. The Nationwide Anthem, no less, with Alan Cumming’s Eli sighing, “Of program she has perfect pitch.”
For followers, although the essential sub-plot was Kalinda’s special romantic relationship having a public defender played by Lili Taylor. Taylor’s Donna and Kalinda experienced a background – Kalinda had damaged Donna’s heart by kissing and disappearing, in an work to protect what Donna known as “your secrets and techniques.” Scott Porter’s Blake tried to blow Kalinda’s cover, even as Kalinda, operating with Matt Czuchry’s Cary, dug up some filth on Blake which will doubtless play out in long term episodes.
The Good Wife even managed to create Alicia snatch defeat from the jaws of victory, as Fox’s Canning explained in the ultimate seconds of the show. After once again, we had skilled much more plot and character development in an hour than NCIS, Castle, and Law & Order: SVU can muster for an entire season combined.
What did you think of this week’s Good Wife, and Michael J. Fox’s performance?
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