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In portraying a lawyer who applied his “neurological condition” to distract and sway jurors, Michael J. Fox employed the truth of his Parkinson’s disorder in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning created distracting movements and noises in the courtroom, hijacking consideration far from Julianna Margulies’ Alicia and her legal group.
It had been a clever thought and efficiency, and common of the way The Good Wife consistently merges fiction with true life. The central situation concerned a woman who’d committed suicide – Alicia’s agency hoped to score an eight-figure settlement from a drug firm that manufactured anti-depressants that, the agency stated, spurred suicidal conduct on this episode titled “Poisoned Pill.”
In portraying an attorney who utilized his “neurological condition” to distract and sway jurors, Michael J. Fox employed the fact of his Parkinson’s illness in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning made distracting moves and noises in the courtroom, hijacking interest faraway from Julianna Margulies’ Alicia and her authorized team.
It was a intelligent idea and performance, and standard of the way The Good Wife regularly merges fiction with true existence. The central situation involved a woman who’d committed suicide – Alicia’s organization hoped to score an eight-figure settlement from a drug business that constructed anti-depressants that, the firm claimed, spurred suicidal conduct on this episode titled “Poisoned Capsule.”
The hour also carried two sub-plots. The political profession of Peter Florrick’s new opponent, Anika Noni Rose’s Wendy Scott-Carr was placed in jeopardy when information spread of a $19,000 breast augmentation operation. This was supposed to become damaging to Scott-Carr’s rep like a champion of the down-trodden, which seemed a bit of a extend to me, but, hey, crazier things have occurred in real-life politics, I suppose. What actually seemed like a extend was that no one spreading the rumor learned Scott-Carr’s redeeming twist: that she’d been diagnosed with stage-two breast cancer and experienced a double mastectomy. Which she revealed in an interview on CBS’ The Early Exhibit. (CBS’ The Good Wife by no means misses a trick.) This wasn’t even the story line’s most clever contact: The Good Wife discovered a way for Rose, a qualified vocalist, to sing. The National Anthem, no less, with Alan Cumming’s Eli sighing, “Of course she has perfect pitch.”
For fans, though the critical sub-plot was Kalinda’s special partnership having a public defender played by Lili Taylor. Taylor’s Donna and Kalinda received a history – Kalinda received broken Donna’s coronary heart by kissing and disappearing, in an effort to defend what Donna called “your secrets.” Scott Porter’s Blake tried to blow Kalinda’s cover, whilst Kalinda, working with Matt Czuchry’s Cary, dug up some dirt on Blake which will doubtless play out in long term episodes.
The Good Wife even managed to create Alicia snatch defeat from the jaws of victory, as Fox’s Canning explained in the ultimate seconds of the present. After again, we acquired skilled far more plot and character improvement in an hour than NCIS, Castle, and Law & Order: SVU can muster for an entire season combined.
What did you think of this week’s Good Wife, and Michael J. Fox’s performance?
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