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In portraying an attorney who employed his “neurological condition” to distract and sway jurors, Michael J. Fox utilised the reality of his Parkinson’s disorder in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning produced distracting movements and noises in the courtroom, hijacking attention far from Julianna Margulies’ Alicia and her legal team.
It was a clever idea and efficiency, and typical of the way The Good Wife continuously merges fiction with real life. The central situation involved a lady who’d committed suicide – Alicia’s agency hoped to attain an eight-figure settlement from a drug firm that made anti-depressants that, the agency stated, spurred suicidal conduct on this episode titled “Poisoned Tablet.”
In portraying an attorney who employed his “neurological condition” to distract and sway jurors, Michael J. Fox employed the fact of his Parkinson’s disease in an artfully witty way on this week’s The Good Wife. Fox’s wily Louis Canning made distracting strikes and noises in the courtroom, hijacking consideration away from Julianna Margulies’ Alicia and her authorized team.
It absolutely was a intelligent notion and efficiency, and standard of the way The Good Wife continuously merges fiction with true lifestyle. The central situation involved a woman who’d dedicated suicide – Alicia’s firm hoped to score an eight-figure settlement from a drug firm that produced anti-depressants that, the firm stated, spurred suicidal conduct on this episode titled “Poisoned Capsule.”
The hour also carried two sub-plots. The political career of Peter Florrick’s new opponent, Anika Noni Rose’s Wendy Scott-Carr was placed in jeopardy when information spread of a $19,000 breast augmentation operation. This was supposed to become damaging to Scott-Carr’s rep as a champion of the down-trodden, which seemed a bit of a stretch to me, but, hey, crazier items have took place in real-life politics, I suppose. What genuinely appeared like a stretch was that no 1 spreading the rumor found Scott-Carr’s redeeming twist: that she’d been diagnosed with stage-two breast cancer and received a double mastectomy. Which she revealed in an interview on CBS’ The Early Indicate. (CBS’ The Good Wife by no means misses a trick.) This wasn’t even the story line’s most clever touch: The Good Wife discovered a way for Rose, a skilled vocalist, to sing. The National Anthem, no much less, with Alan Cumming’s Eli sighing, “Of course she has perfect pitch.”
For followers, although the key sub-plot was Kalinda’s special partnership having a public defender played by Lili Taylor. Taylor’s Donna and Kalinda received a background – Kalinda obtained broken Donna’s coronary heart by kissing and disappearing, in an work to shield what Donna called “your secrets.” Scott Porter’s Blake attempted to blow Kalinda’s cover, whilst Kalinda, working with Matt Czuchry’s Cary, dug up some grime on Blake which will doubtless play out in long term episodes.
The Good Wife even managed to create Alicia snatch defeat from the jaws of victory, as Fox’s Canning explained in the closing seconds of the exhibit. As soon as once more, we received experienced a lot more plot and character development in an hour than NCIS, Castle, and Law & Order: SVU can muster for an entire season combined.
What did you think of this week’s Good Wife, and Michael J. Fox’s performance?
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